BRONX BUTTERFLY

Any commercial use of stories, photo's or art without written authorization from Robert Webb is prohibited. © Webb 2003
Updated: Jan 28, 2003

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 BRONX BUTTERFLY

 an original screenplay by

Robert Webb

  

© 2003

PO Box 10456

Palm Desert, CA 92260

 

                    

 

FADE IN:

EXT.  URBAN BRONX NEIGHBORHOOD, SPRING - EARLY MORNING

Piano music plays softly OS. ECU of a beautiful BUTTERFLY surrounded by lush green foliage. It hangs on a leaf exercising its yellow and black wings. A light breeze moves its world, sunshine flickers all around. It flits away and another Butterfly is revealed just as it emerges from its cocoon. We pull back slowly, revealing this world.

It is a LARGE TREE that stands in front of a typical, 100 year old, 6 story BRONX APARTMENT BUILDING. Briefly on screen ‘BRONX - NEW YORK, 2004’.

ANOTHER ANGLE

A long row of STEPS rise from the street to its Large ARCHED ENTRY WAY and worn ornate FRONT DOOR. A broken and badly repaired STAINED GLASS WINDOW decorates above with a lovely BUTTERFLY theme. The address, ‘818’, is formed in oxidized metal characters, resembling a butterfly.

In front, is the APARTMENT MANAGERS UNIT with a LARGE BAY WINDOW, DRAPED in yellow. A FLOWER BOX bursting with brilliant yellow CARNATIONS adorns below.

This tired, dilapidated, stone structure has broken masonry here and there with OVERSIZE BAY WINDOWS on all but the top floor as we PAN up the side. On the 4th floor we see a LARGE COCOON-LIKE OBJECT hanging in front of the building.

ANOTHER ANGLE

It dangles from a STEEL CABLE and SMALL RUSTED ROOFTOP CRANE. The object is wrapped and twisted in an old brown CANVAS TARPAULIN. The mystery object is big, about the size of a car, but slender at the top like a large knife blade. It slowly twists in the breeze. MORE CANVAS is draped over the building’s roof and upper floor.

The mystery object hangs just below a JAGGED HOLE on the 6th floor. A MAN, hidden in the jagged shadows works with ROPE.

EXT. MANAGERS APARTMENT BAY WINDOW, FIRST FLOOR, STREET LEVEL

Yellow carnations bloom and reflect in the large clear window pane. A ROPE falls to the sidewalk and raps against it. As the rope untwists, RACHEL FINE, a tired but good looking woman in her mid 40’s peers out with a quizzical look. Pulls her long black hair out of the way, opens the sash, looks up.

ANOTHER ANGLE - RACHELS POV

We look skyward following the rope. Solarization.

BACK TO SCENE

She shield’s her eyes with her hand and squints.

BACK TO RACHELS POV

We see the large cocoon twist slightly in the breeze.

BACK TO SCENE

Rachel is noticeably annoyed.

RACHEL
L. A.! Is that you?

RACHELS POV

Solarization appears and disappears as the cocoon swings. A voice from above yells back.

L. A. (O.S.)
What?

RACHEL
L.A.! Is that you?

L. A. (O.S.)
Yeah.

RACHEL
What’re you doing? What is that?

L. A. (O.S.)
Sorry Rachel. I’ll come down.

BACK TO SCENE

Rachel looks perplexed while closing the window.

INT. MANAGERS APARTMENT

Piano music continues to play. She wears a feminine nightgown and is barefoot. She stubs her toe on a WHEELCHAIR heading for her terry cloth ROBE. Putting it on, she grabs her KEYS.

She wears the METAL LOOP of KEYS, with a pretty BUTTERFLY CHARM, on her wrist. She jingles as she fishes for a hair SCRUNCHIE in her robe.

On the REFRIGERATOR we see large MAGNETS haphazardly holding a “DIVORCE DECREE” with her name. She puts her hair up in a tight bun and steps to the door.

A TEA KETTLE starts to whistle loudly just as she grabs the DOOR KNOB. Hurriedly she backtracks towards the kettle. Her wrist jingles as she grabs it and knocks a small MAIL BASKET off the counter. It falls to the floor.

RACHEL
Damn it.

INSERT CU.

We see an I.R.S. LETTER and other BILLS.

BACK TO SCENE

Rachel moves the tea kettle from the burner and kneels scooping up the mail and replaces the basket. Taking the mail, she steps out into the hall. The old heavy door creaks closed.

INT. BRONX APARTMENT ENTRY WAY - FIRST FLOOR

Rachel leans against the wall as she slowly leafs through her fistful of mail. Oxidized metal letters form the word ‘MANAGER’ on her door.

Just then, a motley character, BUZZ, approaches. He has full BODY TATOO’S and many FACE PIERCING’S. A GUITAR CASE hangs on his back and a sleepy drugged out CHICK in leather hangs on him.

RACHEL
Hey Buzz, Buzz’s friend.

BUZZ
Hey Rachel, what’s the word?

RACHEL
Rent.

BUZZ
Oh. Sorry Luv. All I’ve got...

Fishes in his pockets.

BUZZ (cont’d)
a hundred from last night.

RACHEL
That’ll do. For now.

He pulls out his WALLET with CHAIN attached and counts out TWENTIES. Stopping mid-count he looks over at her.

BUZZ
80?

RACHEL
A hundred. I’m not playing.

Two elegant, elderly musicians, JACK and JAN, wearing formal TUXEDOS walk-in. Weary, with loose bow ties, smile as they pass carrying CASED STRING INSTRUMENTS.

BUZZ
Well, no need to get ‘em in a twist.

RACHEL
Mornin’ boys.

The men smile and nod. She snaps up the CASH, Buzz and friend leave. She continues to sort through her mail. We hear, OS, the sound of a MAN tromping down stairs, winded.

RACHEL (cont’d)
Is that you L.A.?

L. A. (O.S.)
Yeah.

L.A., comes into view. His stained T-shirt is soaked in sweat. He carries a small worn PACKAGE wrapped in oil stained brown wrapping paper.

In his mid 40’s, graying a bit, he seems in great physical shape. His face is disfigured, with large SCARS along the jaw line. He removes HEAVY WORK GLOVES.

RACHEL
What in the hell is going on? Is that your project? Do I get to see what you’ve been up to all year?

L. A.
No. At least, not yet. Patent... Uh, copyright issues. Oh, about the wall. Sorry. I wanted to tell you, but sometimes in life, it’s easier to ask for forgiveness than permission.

RACHEL
How... What do you mean? Oh God. You tore a hole in my building. You tore A HOLE IN MY BUILDING!

She bolts for the front door.

EXT. BRONX APARTMENT - STREET LEVEL

Rachel explodes out the front door and down the long steps. She looks up and cries. She’s devastated. In the BG We see L.A. Slowly walk down, seemingly unmoved by her horror.

RACHEL
NO! OH GOD. You put a hole in my building. You put a... What in the hell were you thinking?

ANOTHER ANGLE

L. A.
Mrs. Fine. I...

RACHEL
You put a *** Damned hole in my building!

L. A.
A contractor’s already been paid. He’ll restore the wall in a couple hours. I had to get my project out. It was the only way.

RACHEL
I’m used to being verbally abused when the heat doesn't work from tenants that haven’t paid. I’m even used to Piano’s falling from the sky. But, this...

L. A.
Please, Mrs. Fine, hold judgment. It’ll work out. I’m putting in a large bay window, just like the others. It’s an improvement over that port hole you had there. I thought you’d like that. And... (beat, reaching) This is for you.

ANOTHER ANGLE

He pulls an old, worn ENVELOPE clearly marked ‘FINAL’ from his front pocket and hands it to her with his dirty hands. He then hands her the small package.

L. A. (cont’d)
It’s an extra months rent, and a gift. Seeing as this is my last day here, I want you to have this. I thought it might ease the...

RACHEL
YOU THINK YOU CAN BUY ME OFF?

She throws the envelope in his face. It falls and cash explodes from it. She is livid and glaring at L.A..

RACHEL (cont’d)
I...

ANOTHER ANGLE

Her eyes well with tears. After a moment, she leans down and grabs the cash, gripping it in her fist.

RACHEL (cont’d)
I need this. See to it they do a professional job. I should sue the **** out’a you.

ANOTHER ANGLE

She turns away stuffing the cash in her robe pocket.

RACHEL (cont’d)
(To herself as much as to him)
If I thought for one minute I might win, just once in this miserable life, I’d have you pay! I’d have EVERYBODY pay!

ANOTHER ANGLE

She falls in a heap on her steps.

ANOTHER ANGLE - FROM DOWN LOW

Carnations frame her, sobbing. In the BG a butterfly flits.

ANOTHER ANGLE - FROM ABOVE

CU the mail drops from her hand to her feet, splaying out.

ANOTHER ANGLE

L.A. put’s his leather work gloves back on, grabs the rope. He steps back and tugs it, then throws his weight on it.

EXT. ROOFTOP CRANE

ECU, we hear a loud ‘TING’ sound as each of the RUSTED STEEL CRANE WELDS start to fail.

ANOTHER ANGLE - FROM ABOVE

The enormous dangling cocoon slips and bounces. Bricks break loose and fall to the street. BANG! A car alarm goes off.

EXT. BRONX APARTMENT - STREET LEVEL

BUZZ comes storming up to L.A. In a huff.

BUZZ
HEY SCAR FACE, YA’ ******’ WEIRDO! You just put a dent in my car!

Cool, detached;

L. A.
Not insured?

ANOTHER ANGLE

Rachel wipes tears and looks with destain at L.A.. She takes a deep breath, then looks down at the mail.

BUZZ
Ugh, ugh. This is comin’ out’a your wallet Quasi-Modo.

INSERT

We see a letter from ‘Muldoon and Muldoon Attorney at law’. She reaches down and opens it.

BACK TO SCENE

Her face goes ash white, eyes well up. L.A., Calm;

L. A.
Have your people contact my people...

She yells.

RACHEL
There’s no justice! SNOOKIE CAN’T DO THIS! HE CAN’T TAKE MOMMA’S BUILDING! MY BUILDING!

ANOTHER ANGLE

In the foreground, we see Buzz PUSH L.A. very hard.

ANOTHER ANGLE

BUZZ and L.A. fight. L.A. hits Buzz with a devastating right. He falls, yanking the rope. Steel grinds, then a loud ‘BANG’!

EXT. ROOFTOP CRANE

We watch the heavy steel crane fall and hear the cable snap with a loud THWAP! Everything goes into SLOW MOTION.

EXT. APARTMENT, STREET LEVEL, STOOP

We look up to periodic solarization as the object falls.

ANOTHER ANGLE

From above we watch a shadow engulf Rachel, still clutching the paper. Deadpan, she looks up, then RELIEF in her eyes as the screen goes white.

------- end of scene -------